Improv

Welcome! You have reached the improv page of Je77. I've been doing improvisational theatre since 1993 [bio]. These pages are my reflections on improv and what I've learned along the way.

Features

Scenic Archetypes: This is a plot-driven long-form improv method that I created. Scenic archetypes allow improvisers to perform an improvised play with a sophisticated plot.
Directing Improv Workshops: I've been directing improv workshops for over a decade. Along the way, I've seen many people make (or fail to make) the transition from being a player to being a workshop director. This page is to help someone make the transition. Whenever I teach a workshop on directing, these are the topics I cover.
Six Easy Steps to Becoming a Successful Improv Troupe: I've been to many improv shows and have seen improv troupes come and go. I synthesize across my experiences to fill you in on what makes for a (financially) successful improv troupe.

Festival Reflection

I've been to a few improv festivals. Improv festivals can be a great (fun) learning experience. I highly recommend going to one if you've never been. Occasionally, I like to reflect on the experience.

Games

These are some games I invented.

External Resources

The Improv Wiki: Wikis are clearly the way to go for talking about improv content.
http://www.yesand.com/: Good articles from experienced improvisers.
A Page on Long Form Improv
Improv in Atlanta

Eggshell: improv plays

Eggshell is a type of improv-theatre built on the concept of "who is more able to produce the plays than the authors." Check out the two plays which have been made in this fashion:

Feedback

If you want to leave me a message, you can do so here. Tell me what you thought. Did you learn anything interesting? Did you disagree? Where, how?

I loved your site. I´m a improv actor in Brazil.

Thanks It´s a lot of information.

You are welcome:)

Thank you... information never hurt! Your workshops seem like a lot of fun :)

Chelsea

Los Angeles, CA
www.idvicious.com

this was a lot of help thanx!

I dont know man. I am researching for a book I am writing and came across your page. I think the books you reference are spot on, but had trouble with your definitions and explations of status, your overall thoughts on how to run a short form show, and the idea you have to allow the audience to dictate (hehe I said dictate) what type of material or at what level of "blue" is acceptable. I agree that alchol should be sold at shows and that it loosens them up, however I strongly disagree that the audience comes to be seen and that what happens on stage is secondary. I am in no way a "purest" of improv and am very experienced in performing, teaching, and directing improv and I can say in all confindence that the audience comes to the show to be entertained. The only true way to create a long runing show is by continiously putting up quality shows by talented people with a focus on production. Please excuse any speling mistakes as I am terrible typer and completely lost without my spellcheck.

Joe Tex